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5.0
78 reviewsFrom Chaplin's meal of boots (The Gold Rush, 1925), through Powell & Pressburger's Red Shoes (1948) & Dorothy's ruby slippers (The Wizard of Oz, 1939), to Julia Roberts' pvc thigh-highs (Pretty Woman, 1990), Marty McFly's power-lacing Nikes (Back to the Future, 1985) & the slim, spike-heeled stiletto that graces the poster for The Devil Wears Prada (2006), shoes are not only some of the cinema's most enduring icons; they also serve as characterisations, plot devices, soundtracks, metaphors, & philosophical touchpoints.
This book anaylses their significnace through a range of approaches drawn from the fields of Film Studies, Philosophy, Cultural History, Fashion, Cultural Studies & Politics.
Catherine Wheatley is Lecturer in Film Studies at King's College London, UK. She is the author of Michael Haneke's Cinema: The Ethic of the Image (2008) & the co-editor of Je t'aime… moi non plus (2010).
