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Sizhu Instrumental Music of South China Ethos Theory and Practice 1st Edition by Alan R Thrasher ISBN 9004165002 978-9004165007

  • SKU: BELL-2007690
Sizhu Instrumental Music of South China Ethos Theory and Practice 1st Edition by Alan R Thrasher ISBN 9004165002 978-9004165007
$ 31.00 $ 45.00 (-31%)

4.4

52 reviews

Sizhu Instrumental Music of South China Ethos Theory and Practice 1st Edition by Alan R Thrasher ISBN 9004165002 978-9004165007 instant download after payment.

Publisher: Brill Academic Publishers
File Extension: PDF
File size: 1.98 MB
Pages: 237
Author: Alan R. Thrasher
ISBN: 9789004165007, 9004165002
Language: English
Year: 2008

Product desciption

Sizhu Instrumental Music of South China Ethos Theory and Practice 1st Edition by Alan R Thrasher ISBN 9004165002 978-9004165007 by Alan R. Thrasher 9789004165007, 9004165002 instant download after payment.

Sizhu Instrumental Music of South China: Ethos, Theory and Practice 1st Edition by Alan R. Thrasher - Ebook PDF Instant Download/Delivery: 9004165002, 978-9004165007

Full download Sizhu Instrumental Music of South China: Ethos, Theory and Practice 1st Edition after payment

 

Product details:

ISBN 10: 9004165002

ISBN 13: 978-9004165007 

Author: Alan R. Thrasher 

According to a reader's report, this is "one of the finest studies on (any kind of) Chinese music to emerge in recent years." Based on extensive fieldwork and a thorough knowledge of the scholarly literature, the author examines the theoretical underpinnings of the 'silk and bamboo' instrumental ensemble traditions of the Chaozhou, Hakka and Cantonese peoples of South China. Stepping back far into history, the book opens with a penetrating examination of Confucian theory, the ancient corpus of behavioral doctrine which promoted music as a means of achieving social harmony and which, together with Daoist belief, exercised unusually strong influence over common-practice music and aesthetics. This is followed by a rigorous analysis of the music itself, focusing upon linear and modal structures and performance styles which reflect a fascinating mix of ancient ideologies and more recent influences.

Table of contents:

  1. Sizhu music in south China

  2. Yuelun: The confucian foundation

  3. Qingshang music and the historic legacy

  4. Yuelü: Music Theory and practice

  5. Baban and the Sizhu repertoire

  6. Bianzou: Performance practice and aesthetics

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Tags: Alan R Thrasher, Sizhu, Instrumental, Music, South, China, Ethos, Theory, Practice

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