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4.8
84 reviewsNew perspectives on sound have generated a wave of scholarship in musicology, cultural studies and the social sciences. But the equally important rise of sound in the arts since 1960 has so far been sparsely documented. This volume is the first sourcebook to provide, through original critical writings and artists’ statements, a genealogy of sonic pathways into the arts; philosophical reflections on the meanings of noise and silence; dialogues between art and music; investigations of the role of listening and acoustic space; and a comprehensive survey of sound works by international artists from the avant-garde era to the present.
Artists / Writers include: Vito Acconci, Svetlana Alpers, Laurie Anderson, Jacques Attali, Harry Bertoia, John Cage, Kim Cascone, Germano Celant, Michel Chion, Ralph T. Coe, Steven Connor, Christoph Cox, Martin Creed, Philip Dadson, Suzanne Delehanty, Paul DeMarinis, Helmut Draxler, Marcel Duchamp, Bill Fontana, William Furlong, Liam Gillick, Kim Gordon, Dan Graham, Paul Hegarty, Martin Herbert, Chrissie Iles, Tom Johnson, Branden W. Joseph, Douglas Kahn, Allan Kaprow, Mike Kelley, Seth Kim-Cohen, Yves Klein, Christina Kubisch, Brandon LaBelle, Dan Lander, Bernhard Leitner, Alvin Lucier, Len Lye, Christian Marclay, W.J.T. Mitchell, Robert Morris, Alexandra Munroe, Bruce Nauman, Max Neuhaus, Hermann Nitsch, Michael Nyman, Jacques Rancière, Steve Roden, Luigi Russolo, R. Murray Schafer, Michel Serres, Steven Shaviro, Mieko Shiomi, Michael Snow, Antonio Somaini, Emily Ann Thompson, Yasunao Tone, David Toop, Bill Viola, Paul Virilio