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Tapestry In The Renaissance Art And Magnificence Thomas P Campbell

  • SKU: BELL-5532350
Tapestry In The Renaissance Art And Magnificence Thomas P Campbell
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Tapestry In The Renaissance Art And Magnificence Thomas P Campbell instant download after payment.

Publisher: Metropolitan Museum of Art Yale Univer. Pr.
File Extension: PDF
File size: 220.71 MB
Pages: 606
Author: Thomas P. Campbell
ISBN: 9780300120639, 030012063X
Language: English
Year: 2002

Product desciption

Tapestry In The Renaissance Art And Magnificence Thomas P Campbell by Thomas P. Campbell 9780300120639, 030012063X instant download after payment.

This study focuses on the stylistic evolution of tapestry design in the Netherlands beginning with the development by Netherlandish designers in the late fifteenth and early sixteenth centuries of an aesthetic that emphasized narrative and decorative qualities. During the 1510s, 1520s, and 1530s, commissions by Pope Leo X and other Italian patrons resulted in the dispatch of tapestry cartoons by Italian artists―notably Raphael and his assistants―to Brussels, the main center of high-quality production, thus introducing Roman High Renaissance aesthetics to Northern tapestry design. Thereafter, Netherlandish artists like Bernaert van Orley and his followers melded this Italian influence with their local traditions of tapestry design to produce a rich aesthetic that was ideally suited to the medium. Smaller centers of tapestry production are also examined―particularly those set up under princely patronage in France (Fontainebleau) and Italy (Ferrara, Mantua, and Florence). Unrestrained by established practices of Netherlandish production, such artists as Tura, Mantegna, Bramantino, Bronzino, and Salviati invariably created tapestry designs that were much closer to the spirit of the Italian Renaissance than to those of their Northern counterparts. The strengths and distinctions of those contemporaneous developments and the cross-fertilization of ideas between northern Europe and Italy are fully explored in detailed essays and catalogue entries.
The secondary theme of this study is the important role that tapestry played in ceremonial and daily life and the extent to which the medium reflected the personal tastes and aspirations of its patrons. This book explores the circumstances in which these enormous works of art were conceived and the complex relationships that existed between contemporary patrons, the rich merchants who bankrolled the industry, and the artists and craftsmen who designed and wove the tapestries.

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