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Teaching Sound Film R J Cardullo

  • SKU: BELL-5609398
Teaching Sound Film R J Cardullo
$ 31.00 $ 45.00 (-31%)

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Teaching Sound Film R J Cardullo instant download after payment.

Publisher: SensePublishers
File Extension: PDF
File size: 50.88 MB
Pages: 482
Author: R. J. Cardullo
ISBN: 9789463007245, 9789463007252, 9789463007269, 9463007245, 9463007253, 9463007261
Language: English
Year: 2016

Product desciption

Teaching Sound Film R J Cardullo by R. J. Cardullo 9789463007245, 9789463007252, 9789463007269, 9463007245, 9463007253, 9463007261 instant download after payment.

Teaching Sound Film: A Reader is a film analysis-and-criticism textbook that contains 35 essays on 35 geographically diverse, historically significant sound films. The countries represented here are France, Italy, England, Belgium, Russia, India, China, Cuba, Germany, Japan, Russia, Romania, Czechoslovakia, Brazil, Taiwan, Austria, Afghanistan, South Korea, Finland, Burkina Faso, Mexico, Iran, Israel, Colombia, and the United States. The directors represented include Jean Renoir, Orson Welles, Akira Kurosawa, Federico Fellini, Woody Allen, Aki KaurismAki, Ken Loach, TomAs GutiErrez Alea, Abbas Kiarostami, Michael Haneke, and Hong Sang-soo. Written with university students (and possibly also advanced high school students) in mind, the essays in Teaching Sound Film: A Reader cover some of the central films treated--and central issues raised--in today's cinema courses and provide students with practical models to help them improve their own writing and analytical skills. These essays are clear and readable--that is, sophisticated and meaty yet not overly technical or jargon-heavy. This makes them perfect introductions to their respective films as well as important contributions to the field of film studies in general. Moreover, this book's scholarly apparatus features credits, images, bibliographies for all films discussed, filmographies for all the directors, a list of topics for writing and discussion, a glossary of film terms, and an appendix containing three essays, respectively, on film acting, avant-garde cinema, and theater vs. film.

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