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The A To Z Of French Cinema The A To Z Guide Series 88th Edition Dayna Oscherwitz

  • SKU: BELL-2379014
The A To Z Of French Cinema The A To Z Guide Series 88th Edition Dayna Oscherwitz
$ 31.00 $ 45.00 (-31%)

4.7

16 reviews

The A To Z Of French Cinema The A To Z Guide Series 88th Edition Dayna Oscherwitz instant download after payment.

Publisher: Scarecrow Press
File Extension: PDF
File size: 1.79 MB
Pages: 507
Author: Dayna Oscherwitz, MaryEllen Higgins
ISBN: 9780810868755, 081086875X
Language: English
Year: 2009
Edition: 88

Product desciption

The A To Z Of French Cinema The A To Z Guide Series 88th Edition Dayna Oscherwitz by Dayna Oscherwitz, Maryellen Higgins 9780810868755, 081086875X instant download after payment.

It can be argued that cinema was created in France by Louis Lumi?re in 1895 with the invention of the cin?matographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cin?matographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumi?re's La Sortie de l'usine, a minute-long film of workers leaving the Lumi?re factory, captured the imagination of the nation and quickly inspired the likes of Georges M?li?s, Alice Guy, and Charles Path?. Through the years, French cinema has been responsible for producing some of the world's best directors—Jean Renoir, Jean-Luc Godard, Fran?ois Truffaut, and Louis Malle—and actors—Charles Boyer, Catherine Deneuve, G?rard Depardieu, and Audrey Tautou.The A to Z of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.

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