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The Aesthetics Of Global Protest Visual Culture And Communication Aidan Mcgarry Editor Itir Erhart Editor Hande Eslenziya Editor Olu Jenzen Editor Umut Korkut Editor

  • SKU: BELL-51940934
The Aesthetics Of Global Protest Visual Culture And Communication Aidan Mcgarry Editor Itir Erhart Editor Hande Eslenziya Editor Olu Jenzen Editor Umut Korkut Editor
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The Aesthetics Of Global Protest Visual Culture And Communication Aidan Mcgarry Editor Itir Erhart Editor Hande Eslenziya Editor Olu Jenzen Editor Umut Korkut Editor instant download after payment.

Publisher: Amsterdam University Press
File Extension: PDF
File size: 3.57 MB
Pages: 298
Author: Aidan McGarry (editor); Itir Erhart (editor); Hande Eslen-Ziya (editor); Olu Jenzen (editor); Umut Korkut (editor)
ISBN: 9789048544509, 9048544505
Language: English
Year: 2019

Product desciption

The Aesthetics Of Global Protest Visual Culture And Communication Aidan Mcgarry Editor Itir Erhart Editor Hande Eslenziya Editor Olu Jenzen Editor Umut Korkut Editor by Aidan Mcgarry (editor); Itir Erhart (editor); Hande Eslen-ziya (editor); Olu Jenzen (editor); Umut Korkut (editor) 9789048544509, 9048544505 instant download after payment.

Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.

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