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The Birth Of A Heruka How Sangs Rgyas Rgyal Mtshan Become Gtsang Smyon Heruka A Study Of A Mad Yogin Stefan Larsson

  • SKU: BELL-4144690
The Birth Of A Heruka How Sangs Rgyas Rgyal Mtshan Become Gtsang Smyon Heruka A Study Of A Mad Yogin Stefan Larsson
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The Birth Of A Heruka How Sangs Rgyas Rgyal Mtshan Become Gtsang Smyon Heruka A Study Of A Mad Yogin Stefan Larsson instant download after payment.

Publisher: Department of Ethnology, History of Religions and Gender Studies
File Extension: PDF
File size: 21.27 MB
Pages: 330
Author: Stefan Larsson
ISBN: 9789171558084, 917155808X
Language: English
Year: 2009

Product desciption

The Birth Of A Heruka How Sangs Rgyas Rgyal Mtshan Become Gtsang Smyon Heruka A Study Of A Mad Yogin Stefan Larsson by Stefan Larsson 9789171558084, 917155808X instant download after payment.

gTsang smyon Heruka (1452–1507) is one of Tibet’s most famous mad yogins. The mad yogins represent a relatively unknown aspect of Tibetan Buddhism that flourished in the 15th and 16th centuries. The mad yogins (and their disciples) claimed that they were following in the footsteps of the Indian Buddhist siddhas, and carrying out advanced Buddhist tantric practices by acting in unconventional and transgressive ways. Like some of the Indian siddhas, gTsang smyon started his religious career as a monk. When he was about twenty years old, inspired by a vision of his meditation deity, he suddenly started to act in a seemingly crazy manner. He left his monastery and spent the rest of his life wandering around as a homeless vagabond, practising a form of radical asceticism called “disciplined conduct”. Soon after he left his monastery, his antinomian and mad behavior led people to begin to call him gTsang smyon – “The Madman of gTsang”. Paradoxically, gTsang smyon’s crazy way of acting and dressing seems to have contributed to making him popular and successful. According to his hagiographies, gTsang smyon was supported by several powerful political leaders. This made it possible for him to accomplish the deeds for which he later became famous: compiling and printing the hagiography and song collection of the bKa’ brgyud master Milarepa (1052–1135); and also compiling an extensive collection of the Aural Transmissions of the bKa’ brgyud tradition. The most important aims of the present study are to describe how gTsang smyon was transformed into a mad yogin – a heruka – and to look at his subsequent activities as a mad yogin. The main sources on which the dissertation is based are three Tibetan hagiographies written by his disciples.

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