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ISBN 10: 0312415206
ISBN 13: 9780312415204
Author: David H. Richter
This bestseller balances a comprehensive and up-to-date anthology of major documents in literary criticism and theory — from Plato to the present — with the most thorough editorial support for understanding these challenging readings.
Chapter 1: Republic, Book X
Chapter 2: Ion
Chapter 3: From Phaedrus
Chapter 4: From What Is Art?
Chapter 5: From Poetics
Chapter 6: The Art of Poetry
Chapter 7: From On the Sublime
Chapter 8: On the Intellectual Beauty
Chapter 9: From Letter to Can Grande della Scala
Chapter 10: From La Querelle de la Rose
Chapter 11: An Apology for Poetry
Chapter 12: From An Essay of Dramatic Poesy
Chapter 13: An Epistle to the Reader, from The Dutch Lover
Chapter 14: Preface to The Lucky Chance
Chapter 15: An Essay on Criticism
Chapter 16: The Rambler, No. 4
Chapter 17: Rasselas, Chapter 10
Chapter 18: From Preface to Shakespeare
Chapter 19: Of the Standard of Taste
Chapter 20: From Contingencies of Value
Chapter 21: From Critique of Judgment
Chapter 22: From A Vindication of the Rights of Women
Chapter 23: From Essay on Fictions
Chapter 24: On Women Writers
Chapter 25: From On Naïve and Sentimental Poetry
Chapter 26: Preface to Lyrical Ballads
Chapter 27: Shakespeare’s Judgment Equal to His Genius
Chapter 28: From Biographia Literaria
Chapter 29: From A Letter to Benjamin Bailey
Chapter 30: From A Letter to George and Thomas Keats
Chapter 31: The Four Ages of Poetry
Chapter 32: A Defence of Poetry
Chapter 33: The Romantic Artist, from Culture and Society 1780–1950
Chapter 34: Introduction to the Philosophy of Art
Chapter 35: The Poet
Chapter 36: The Alienation of Labor, from Economic and Philosophical Manuscripts of 1844
Chapter 37: Consciousness Derived from Material Conditions, from The German Ideology
Chapter 38: On Greek Art in Its Time, from A Contribution to the Critique of Political Economy
Chapter 39: The Function of Criticism at the Present Time
Chapter 40: From The Study of Poetry
Chapter 41: From The Birth of Tragedy from the Spirit of Music
Chapter 42: On Truth and Lie in an Extra-Moral Sense
Chapter 43: From Twilight of the Idols
Chapter 44: The Art of Fiction
Chapter 45: The Decay of Lying
Chapter 46: The Dream-Work, from The Interpretation of Dreams
Chapter 47: Creative Writers and Daydreaming
Chapter 48: The Uncanny
Chapter 49: Medusa’s Head
Chapter 50: Tradition and the Individual Talent
Chapter 51: On the Relation of Analytical Psychology to Poetry
Chapter 52: The Principal Archetypes
Chapter 53: On Double Consciousness, from The Souls of Black Folk
Chapter 54: Criteria of Negro Art
Chapter 55: The Topic of the Speaking Person, from Discourse in the Novel
Chapter 56: Heteroglossia in the Novel, from Discourse in the Novel
Chapter 57: From Problems in Dostoevsky’s Poetics
Chapter 58: Shakespeare’s Sister, from A Room of One’s Own
Chapter 59: Austen, Brontë, Eliot, from A Room of One’s Own
Chapter 60: The Androgynous Vision, from A Room of One’s Own
Chapter 61: Hölderlin and the Essence of Poetry
Chapter 62: From Dickens: The Two Scrooges
Chapter 63: Symbolic Action in a Poem by Keats
Chapter 64: Literature as Equipment for Living
Chapter 65: From The Great Tradition
Chapter 66: Why Write?
Chapter 67: Myths: Of Women in Five Authors
Chapter 68: Constatives and Performatives, from How to Do Things with Words
Chapter 69: Speech Acts: Locutionary, Illocutionary, Perlocutionary, from How to Do Things with Words
Chapter 70: The Archetypes of Literature
Chapter 71: Odysseus’ Scar
Chapter 72: The Elevation of the Historicality of Understanding to the Status of Hermeneutical Principle
Chapter 73: Against Interpretation
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Tags: David Richter, Critical, Tradition, Classic
