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ISBN 10: 9004156437
ISBN 13: 978-9004156432
Author: Li Ling Hsiao
This study draws together various elements in late Ming culture - illustration, theater, literature - and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld.
By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing.
Toward The Contextualization Of Woodblock Illustration: A Critique Of Art Historical Method
The Stage Or The Page: Competing Conceptions Of The Play In The Wanli Period
Performance Illustration
Performance As An Interaction With The Past
Image As An Interaction With The Past
Reading As An Interaction With The Past
the eternal present of the past
the eternal present
the eternal present lead into gold
eternal past
in the eternal past
Tags: Li Ling Hsiao, Eternal, Present, Illustration