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The Exile Of George Grosz Modernism America And The One World Order First Edition Mccloskey

  • SKU: BELL-55563796
The Exile Of George Grosz Modernism America And The One World Order First Edition Mccloskey
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The Exile Of George Grosz Modernism America And The One World Order First Edition Mccloskey instant download after payment.

Publisher: University of California Press
File Extension: PDF
File size: 68.65 MB
Pages: 272
Author: McCloskey, Barbara
ISBN: 9780520281943, 9780520355859, 0520281942, 0520355857
Language: English
Year: 2015
Edition: First Edition

Product desciption

The Exile Of George Grosz Modernism America And The One World Order First Edition Mccloskey by Mccloskey, Barbara 9780520281943, 9780520355859, 0520281942, 0520355857 instant download after payment.

The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents GroszÕs work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what GermanyÕs postwar future should be. Important too at this time were GroszÕs interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art worldÕs consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of GroszÕs work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.

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