Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.
Please read the tutorial at this link: https://ebookbell.com/faq
We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.
For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.
EbookBell Team
4.7
56 reviewsGBS_insertPreviewButtonPopup('ISBN:9780748605774);
Going back to the original manuscripts, a team of scholars has uncovered what Scott originally wrote and intended his public to read before errors, misreadings and expurgations crept in during production.
Set at the end of the reign of James VI and I, The Fortunes of Nigel sits among Walter Scott's richest creations in political insight, range of characterisation and linguistic virtuosity.
Well versed in the political literature of the period, Scott drew a detailed picture of London in the early 17th century while charting the effects of Scottish influx into the English capital: the ambitions and fears of the incomers and the suspicion they aroused. The complex web of political (and sexual) intrigue, and especially of all-important financial dealings and double-dealings, is traced with a master's hand.
No Scott novel has a more memorable cast of characters. King James heads them, with his childish irresponsibility and elusive character: a would-be Solomon and father of his country, theological disputant, prurient bisexual. But not far behind are jeweller George Heriot, clockmaker Davie Ramsay, courtier Sir Mungo Malagrowther, servant Richie Moniplies and many vivid minor characters.
Steeped in Jacobean drama, this tale shows Scott revelling in the linguistic riches of the age. Previous editions have obscured his virtuosity (as seen in a dazzlingly proto-Joycean monologue by a Greenwich barber), but painstaking examination of the manuscript and proofs for this new edition allows the full vigour of Scott's achievement to be savoured for the first time.
