logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

The Inspiration Machine Computational Creativity In Poetry And Jazz 1st Edition Eitan Y Wilf

  • SKU: BELL-56830614
The Inspiration Machine Computational Creativity In Poetry And Jazz 1st Edition Eitan Y Wilf
$ 31.00 $ 45.00 (-31%)

4.7

16 reviews

The Inspiration Machine Computational Creativity In Poetry And Jazz 1st Edition Eitan Y Wilf instant download after payment.

Publisher: University of Chicago Press
File Extension: PDF
File size: 1.96 MB
Pages: 272
Author: Eitan Y. Wilf
ISBN: 9780226828336, 9780226828329, 9780226828312, 0226828336, 0226828328, 022682831X
Language: English
Year: 2023
Edition: 1

Product desciption

The Inspiration Machine Computational Creativity In Poetry And Jazz 1st Edition Eitan Y Wilf by Eitan Y. Wilf 9780226828336, 9780226828329, 9780226828312, 0226828336, 0226828328, 022682831X instant download after payment.

Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf's interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.

Related Products