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The Joker A Serious Study Of The Clown Prince Of Crime Robert Moses Peaslee

  • SKU: BELL-5486948
The Joker A Serious Study Of The Clown Prince Of Crime Robert Moses Peaslee
$ 31.00 $ 45.00 (-31%)

4.1

80 reviews

The Joker A Serious Study Of The Clown Prince Of Crime Robert Moses Peaslee instant download after payment.

Publisher: University Press of Mississippi
File Extension: PDF
File size: 8.26 MB
Pages: 288
Author: Robert Moses Peaslee, Robert G. Weiner
ISBN: 9781628462388, 1628462388
Language: English
Year: 2015

Product desciption

The Joker A Serious Study Of The Clown Prince Of Crime Robert Moses Peaslee by Robert Moses Peaslee, Robert G. Weiner 9781628462388, 1628462388 instant download after payment.

Along with Batman, Spider-Man, and Superman, the Joker stands out as one of the most recognizable comics characters in popular culture. While there has been a great deal of scholarly attention on superheroes, very little has been done to understand supervillains. This is the first academic work to provide a comprehensive study of this villain, illustrating why the Joker appears so relevant to audiences today.

Batman’s foe has cropped up in thousands of comics, numerous animated series, and three major blockbuster feature films since 1966. Actually, the Joker debuted in DC comics Batman 1 (1940) as the typical gangster, but the character evolved steadily into one of the most ominous in the history of sequential art. Batman and the Joker almost seemed to define each other as opposites, hero and nemesis, in a kind of psychological duality. Scholars from a wide array of disciplines look at the Joker through the lens of feature films, video games, comics, politics, magic and mysticism, psychology, animation, television, performance studies, and philosophy. As the first volume that examines the Joker as complex cultural and cross-media phenomenon, this collection adds to our understanding of the role comic book and cinematic villains play in the world and the ways various media affect their interpretation. Connecting the Clown Prince of Crime to bodies of thought as divergent as Karl Marx and Friedrich Nietzsche, contributors demonstrate the frightening ways in which we get the monsters we need.

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