The Last Light Of The Sun Guy Gavriel Kay by Guy Gavriel Kay 9780743252485, 0743252489 instant download after payment.

The Last Light of the Sun is a 2004 fantasy novel by Guy Gavriel Kay. Like many of his books, it is set in a world that draws heavily upon real times, events, places and people. In this particular book, the period is the Viking invasions of Saxon England. The story concerns a young Erling's attempt to prove himself as a warrior, his father's attempts to make amends for his mistakes, a young prince searching for revenge and a King's attempt to transform his realm into a more civilized one that will resist attacks from the Erlings forever. The books main themes are revenge, violence, the passing of an era, clash of cultures, and love — especially between father and son. The Last Light of the Sun is set in the same world as Kay's The Lions of Al-Rassan and The Sarantine Mosaic novels, taking place after the Sarantine Mosaic but before Lions. Read more - Shopping-Enabled Wikipedia on Amazon

In the article: Plot | Reception | Awards

In this wonderfully imaginative historical fantasy from Kay (A Song for Arbonne), seemingly random deeds connect Erling (Viking) raiders and Anglcyn (English) and Cyngael (Welsh) princes: If only Bern Thorkellson hadn't stolen that horse in a desperate act of vengeance against his sorry fate; if only Dai ab Owyn hadn't stepped outside the safety of Brynfell right at the moment when the Erlings attacked; if only Ivarr Ragnarson hadn't been born ill-formed and downright cruel; if only Aeldred hadn't been king of the Anglcyn; if only Thorkell Einarson had murdered only one man and not the second; if only Alun ab Owyn hadn't stepped into that pool on a moonless night and seen the Queen of the Elves in procession. At first glance, each individual's act appears to be a normal human response. It's only later, as the characters' paths cross, that the pieces come together to weave a dazzling tapestry of conjoined fates. Solid research, filtered through vibrant prose, serves to convey a sense of how people really lived and died in Viking and Anglo-Saxon times and how they might have interacted with the realm of magic on a daily basis. Readers of lighter fantasy should be forewarned—the novel contains a lot of gruesome killing and the fairy world plays a relatively minor role, as do women.
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