The Life Of William Faulkner 2 This Alarming Paradox 19351962 Carl Rollyson by Carl Rollyson instant download after payment.

By the end of volume 1 of The Life of William Faulkner ("A filling, satisfying feast for Faulkner aficianados"-- Kirkus), the young Faulkner had gone from an unpromising, self-mythologizing bohemian to the author of some of the most innovative and enduring literature of the century, including The Sound and the Fury and Light in August. The second and concluding volume of Carl Rollyson's ambitious biography finds Faulkner lamenting the many threats to his creative existence. Feeling, as an artist, he should be above worldly concerns and even morality, he has instead inherited only debts--a symptom of the South's faded fortunes--and numerous mouths to feed and funerals to fund. And so he turns to the classic temptation for financially struggling writers--Hollywood.

Thus begins roughly a decade of shuttling between his home and family in Mississippi--lifeblood of his art--and the backlots of the Golden Age film industry. Through Faulkner's Hollywood years, Rollyson introduces such personalities as Humphrey Bogart and Faulkner's long-time collaborator Howard Hawks, while telling the stories behind films such as The Big Sleep and To Have and Have Not. At the same time, he chronicles with great insight Faulkner's rapidly crumbling though somehow resilient marriage and his numerous extramarital affairs--including his deeply felt, if ultimately doomed, relationship with Meta Carpenter. (In his grief over their breakup, Faulkner--a dipsomaniac capable of ferocious alcoholic binges--received third-degree burns when he passed out on a hotel-room radiator.)

Where most biographers and critics dismiss Faulkner's film work as at best a necessary evil, at worst a tragic waste of his peak creative years, Rollyson approaches this period as a valuable window on his artistry. He reveals a fascinating, previously unappreciated cross-pollination between Faulkner's film and literary work, elements from his fiction appearing in his screenplays and his film collaborations (...)

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