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The Other Hollywood Renaissance Dominic Lennard R Barton Palmer Murray Pomerance

  • SKU: BELL-51972316
The Other Hollywood Renaissance Dominic Lennard R Barton Palmer Murray Pomerance
$ 31.00 $ 45.00 (-31%)

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The Other Hollywood Renaissance Dominic Lennard R Barton Palmer Murray Pomerance instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 12.43 MB
Pages: 416
Author: Dominic Lennard; R. Barton Palmer; Murray Pomerance
ISBN: 9781474442657, 147444265X
Language: English
Year: 2022

Product desciption

The Other Hollywood Renaissance Dominic Lennard R Barton Palmer Murray Pomerance by Dominic Lennard; R. Barton Palmer; Murray Pomerance 9781474442657, 147444265X instant download after payment.

Provides a revisionist account of the Hollywood Renaissance
  • Provides in-depth analysis of 24 directors working within this period
  • Challenges the traditional canon of Hollywood Renaissance auteurs
  • Reassesses American art cinema of the 1970s

In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.


With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.

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