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The Performing Observer Essays On Contemporary Art Performance And Photography 1st Edition Martin Patrick

  • SKU: BELL-55461160
The Performing Observer Essays On Contemporary Art Performance And Photography 1st Edition Martin Patrick
$ 31.00 $ 45.00 (-31%)

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The Performing Observer Essays On Contemporary Art Performance And Photography 1st Edition Martin Patrick instant download after payment.

Publisher: Intellect Ltd
File Extension: PDF
File size: 100.46 MB
Pages: 272
Author: Martin Patrick
ISBN: 9781789386752, 9781789386745, 9781789386769, 1789386756, 1789386748, 1789386764
Language: English
Year: 2023
Edition: 1

Product desciption

The Performing Observer Essays On Contemporary Art Performance And Photography 1st Edition Martin Patrick by Martin Patrick 9781789386752, 9781789386745, 9781789386769, 1789386756, 1789386748, 1789386764 instant download after payment.

The Performing Observer is a collection of short, critical writings on contemporary art, performance, and photography written over the course of the past two decades. These texts were originally published in a variety of settings, including art magazines and exhibition catalogues, online journals and websites.

A wide range of global practitioners are analysed, from emerging to established artists. As the title suggests, Patrick feels that he is simultaneously performing a role while observing and writing about the field. The intention is to present a well-informed but jargon free survey of many significant developments in contemporary art and culture. Among the artists discussed are: Francis Alÿs, Laurie Anderson, Chris Burden, William Eggleston, Cindy Sherman, and Andy Warhol.

The book examines an important series of interconnected contemporary art practices. Layering writings on performance-based work, material forms and photography, it positions performance within a larger context. The artists selected are genuinely international with a strong focus on the southern hemisphere, and are grouped together in sections Patrick calls Performance, Photography, Publicness, Video, Books and Exhibitions.

It aims to make sense of a specific modality of art making with an interesting - and to a degree unspoken - interest in art writing itself. Both elements are compelling separately but especially so together.

Accessibly written and especially approachable for a range of interested readers. It offers scholarly and critical depth while retaining a writing style that will appeal beyond a strictly scholarly audience. It will appeal to readers closely involved in contemporary art theory and practice, whether students, artists, academics or simply curious to know more.

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