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5.0
110 reviewsThrough a series of insightful and sophisticated readings, this book reveals the worldliness of premodern Persian poetry. It traces the political role of poetry in shaping the prison poem genre (habsiyyat) across 12th-century Central, South and West Asia. The emergence of the genre is indebted to the increasing importance of the poet, who came into increasing conflict with Ghaznavid and Saljuq sovereigns as the genre developed. Uniting the polarities of perpetuity and contingency, the poet’s body became the medium for the prison poem’s oppositional poetics.
Bringing theorists as wide ranging as Kantorowicz, Benjamin and Adorno into conversation with classical Persian poetics, this book offers an unprecedented account of prison poetry before modernity, and of premodern Persianate culture within the framework of world literature and global politics.