EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link: https://ebookbell.com/faq

We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.

For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

The Pleasure Of Modernist Music Listening Meaning Intention Ideology Ashby

Name: The Pleasure Of Modernist Music Listening Meaning Intention Ideology Ashby
SKU: BELL-10629718
Price: 31.00 USD
Availability: InStock
Rating: 5 (70 reviews)

SKU: BELL-10629718

$ 31.00 ~~$ 45.00~~ (-31%)

5.0

70 reviews

The Pleasure Of Modernist Music Listening Meaning Intention Ideology Ashby instant download after payment.

Publisher: Boydell & Brewer

File Extension: PDF

File size: 10.59 MB

Pages: 408

Author: Ashby, Arved

ISBN: 9781580466233, 1580466230

Language: English

Year: 2004

Product desciption

The Pleasure Of Modernist Music Listening Meaning Intention Ideology Ashby by Ashby, Arved 9781580466233, 1580466230 instant download after payment.

The debate over modernist music has continued for almost a century: from Berg's Wozzeck and Webern's Symphony Op. 21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists in that they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to neg.