logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

The Popular Theatre Movement In Russia 18621919 Reprint Gary Thurston

  • SKU: BELL-11155502
The Popular Theatre Movement In Russia 18621919 Reprint Gary Thurston
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

The Popular Theatre Movement In Russia 18621919 Reprint Gary Thurston instant download after payment.

Publisher: Northwestern University Press
File Extension: PDF
File size: 28.18 MB
Pages: 374
Author: Gary Thurston
ISBN: 9780810134843, 0810134845
Language: English
Year: 2016
Edition: Reprint

Product desciption

The Popular Theatre Movement In Russia 18621919 Reprint Gary Thurston by Gary Thurston 9780810134843, 0810134845 instant download after payment.

In The Popular Theatre Movement in Russia, Gary Thurston illuminates the "popular theater" of pre-revolutionary Russia, which existed alongside the performing arts for the nation's economic elite. He shows how from Peter the Great's creation of Europe's first theater for popular enlightenment to Lenin's decree nationalizing all Soviet theaters, Russian rulers aggressively exploited this enduring art form for ideological ends rather than for its commercial potential. After the emancipation of the serfs in 1861, educated Russians began to present plays as part of a crusade to ""civilize"" the peasants. Relying on archival and published material virtually unknown outside Russia, this study looks at how playwrights criticized Russian social and political realities, how various groups perceived their plays, and how the plays motivated viewers to change themselves or change their circumstances. The picture that emerges is of a potent civic art influential in a way that eluded and challenged authoritarian control.

Related Products