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98 reviewsExploring its history from the perspective of the cinemagoer, the study of new cinema history examines the circulation & consumption of cinema, the political & legal structures that underpinned its activities, the place that it occupied in the lives of its audiences, & the traces that it left in their memories. Using a broad range of methods from the statistical analyses of box office economics to ethnography, oral history, & memory studies, this approach has brought about an undisputable change in how we study cinema, & the questions we ask about its history.
This companion examines the place, space, & practices of film exhibition & programming; the questions of gender & ethnicity within the cinematic experience; & the ways in which audiences gave meaning to cinemagoing practices, specific films, stars, & venues, & its operation as a site of social & cultural exchange from Detroit & Laredo to Bandung & Chennai.
Contributors demonstrate how the digitization of source materials & the use of digital research tools have enabled them to map previously unexplored aspects of cinema’s business & social history & undertake comparative analysis of the diversity of the social experience of cinema across regional, national, & continental boundaries.