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The Sounds Of Early Cinema Richard Abel Editor Rick Altman Charles F Altman Editor

  • SKU: BELL-1865558
The Sounds Of Early Cinema Richard Abel Editor Rick Altman Charles F Altman Editor
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The Sounds Of Early Cinema Richard Abel Editor Rick Altman Charles F Altman Editor instant download after payment.

Publisher: Indiana University Press
File Extension: PDF
File size: 5.73 MB
Pages: 344
Author: Richard Abel (editor), Rick Altman [Charles F. Altman] (editor)
ISBN: 9780253108708, 9780253214799, 9780253339881, 0253108705, 0253214793, 025333988X
Language: English
Year: 2001

Product desciption

The Sounds Of Early Cinema Richard Abel Editor Rick Altman Charles F Altman Editor by Richard Abel (editor), Rick Altman [charles F. Altman] (editor) 9780253108708, 9780253214799, 9780253339881, 0253108705, 0253214793, 025333988X instant download after payment.

The Sounds of Early Cinema is devoted exclusively to a little-known, yet absolutely crucial phenomenon: the ubiquitous presence of sound in early cinema. "Silent cinema" may rarely have been silent, but the sheer diversity of sound(s) & sound/image relations characterizing the first 20 years of moving picture exhibition can still astonish us. Whether instrumental, vocal, or mechanical, sound ranged from the improvised to the pre-arranged (as in scripts, scores, & cue sheets). The practice of mixing sounds with images differed widely, depending on the venue (the nickelodeon in Chicago versus the summer Chautauqua in rural Iowa, the music hall in London or Paris versus the newest palace cinema in New York City) as well as on the historical moment (a single venue might change radically, & many times, from 1906 to 1910).    

Contributors: Edouard Arnoldy, Mats Björkin, Stephen Bottomore, Marta Braun, Jean Châteauvert, Ian Christie, Richard Crangle, Helen Day-Mayer, John Fullerton, Jane Gaines, André Gaudreault, Tom Gunning, et al. 

Richard Abel is Ellis & Nell Levitt Professor of English at Drake University, teaching cinema/media/cultural studies. His most recent book is The Red Rooster Scare: Making Cinema American, 1900-1910 (California, 1999), which was a finalist for the Kraszna-Krausz Moving Image Book Award. Currently he is editing the Routledge Encyclopedia of Early Cinema.

Rick Altman is Professor of Cinema & Comparative Literature at the University of Iowa. After publishing Film/Genre (British Film Institute, 1999), which won the SCS Katherine Singer Kovacs award, he edited a special issue of IRIS 27 (Spring 1999) on the "State of Sound Studies." His current projects include a book on the silent cinema soundscape, a DVD devoted to illustrated song slides, & performances by his troupe, The Living Nickelodeon.

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