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EbookBell Team
4.3
98 reviewsThis book represents the first study dedicated to Twentieth Century
German Art, the 1938 London exhibition that was the largest
international response to the cultural policies of National Socialist
Germany and the infamous Munich exhibition Degenerate Art. Provenance
research into the catalogued exhibits has enabled a full reconstruction
of the show for the first time: its contents and form, its contributors
and their motivations, and its impact both in Britain and
internationally.
Presenting the research via six case-study exhibits, the book sheds
new light on the exhibition and reveals it as one of the largest émigré
projects of the period, which drew contributions from scores of German
émigré collectors, dealers, art critics, and from the ‘degenerate’
artists themselves. The book explores the show’s potency as an anti-Nazi
statement, which prompted a direct reaction from Hitler himself.
