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The Use Of Photography Annie Ernaux Marc Marie Alison L Strayer

  • SKU: BELL-79437484
The Use Of Photography Annie Ernaux Marc Marie Alison L Strayer
$ 31.00 $ 45.00 (-31%)

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The Use Of Photography Annie Ernaux Marc Marie Alison L Strayer instant download after payment.

Publisher: Seven Stories Press
File Extension: EPUB
File size: 16.99 MB
Author: Annie Ernaux, Marc Marie, Alison L. Strayer
ISBN: 9781644214145, 1644214148
Language: English
Year: 2024

Product desciption

The Use Of Photography Annie Ernaux Marc Marie Alison L Strayer by Annie Ernaux, Marc Marie, Alison L. Strayer 9781644214145, 1644214148 instant download after payment.

The Use of Photography recounts a passionate love affair between Annie Ernaux and the journalist and author Marc Marie, after the two met in January 2003. Ernaux had been receiving intensive chemo for breast cancer during the prior three months, and had lost all her hair from the treatments. At the end of January she had surgery, followed by radiation therapy. The affair took place in different locations and Ernaux describes how, shortly after it began, she found herself entranced each morning by the sight of clothes strewn about, chairs out of place and the remains of their last meal of the evening still on the table – and how painful it felt to put things back in order afterwards. She went and got her camera, and began to take photographs of the scenes of disarray. When she told Marc Marie what she had done, he said he had felt the same desire. Translated by Alison L. Strayer into English for the first time, The Use of Photography is an extraordinary meditation on eroticism, photography and writing, a major work by the 2022 Nobel Prize in Literature laureate.

The Use of Photography … approaches Ernaux’s experience of breast cancer in the early 2000s with a similar fearlessness, emphasizing sensuality in the face of death. It is a radical gesture to treat the sick body, a body threatened by its own demise, as one that is also capable of performing that most generative of acts: sexual intercourse. In doing so, Ernaux takes control of, and breathes life into, the narrative of illness and death.’
— Rhian Sasseen, The Atlantic

‘With her signature resolute honesty, [Ernaux] dissects the power of passion and her own jealousy…. She awards herself the right to describe things just how they are without caring one jot how it reflects on her. This gives power to all her works.’
— Magdalena Miecznicka, Financial Times

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