Theatre Props And Civic Identity In Athens 458405 Bc Rosie Wyles by Rosie Wyles 9781350143975, 9781350144002, 1350143979, 1350144002 instant download after payment.

This book answers the question ‘How did Athenian drama shape ideas about civic identity?’ through the medium of three case studies focusing on props. Traditional responses to the question have overlooked the significance of props which were symbolically implicated in Athenian ideology, yet the key objects explored in this study (voting urns and pebbles, swords, and masks) each carried profound connections to Athenian civic identity while also playing important roles as props on the fifth-century stage. Playwrights exploited the powerful dynamic generated from the intersection between the ‘social lives’ (off-stage existence in society) and ‘stage lives’ (handling in theatre) of these objects to enhance the dramatic effect of their plays as well as the impact of these performances on society.
The exploration of the ‘stage lives’ of these objects across comedy, tragedy, and satyr drama reveals much about generic interdependence and distinction. Meanwhile the consideration of iconography representing the objects’ lives outside the theatre sheds light on drama’s powerful interplay with art. Essential reading for scholars and students of ancient Greek history, culture, and drama, the innovative approach and insightful analysis contained in this volume will also be of interest to researchers in the fields of Theatre Studies, Art History, and Cultural Studies.
How did Athenian drama shape ideas about civic identity? Traditional responses to this question have overlooked the significance of props which were symbolically implicated in Athenian ideology. Yet the key objects explored in this study (voting urns and pebbles, swords, and masks) each carried profound connections to Athenian civic identity while also playing important roles as props on the fifth-century stage. Playwrights exploited the powerful dynamic generated from the intersection between the ‘social lives’ (off-stage existence in society) and ‘stage lives’ (handling in theatre) of these objects to enhance the dramatic effect of their plays as well as the impact of these performances on society. This study explores the on-stage and off-stage symbolism of these objects to produce a micro-history of the construction of Athenian identity through theatre, acknowledging both how dramas shaped the city’s self-reflective thinking and were enriched by it. This innovative approach to the relationship between Athenian theatre and society also brings fresh insights to two further areas: the dynamics between dramatic genres and the interaction of theatre with iconography. The exploration of the ‘stage lives’ of these objects across comedy, tragedy, and satyr drama reveals much about generic interdependence and distinction. Meanwhile the consideration of iconography representing the objects’ lives outside the theatre sheds light on drama’s powerful interplay with art. This study is intended for scholars and students of ancient Greek history, culture, and drama, as well as for those in the fields of Theatre Studies, Art History, and Cultural Studies.