logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera First Edition Julia Prest

  • SKU: BELL-1724830
Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera First Edition Julia Prest
$ 31.00 $ 45.00 (-31%)

4.4

22 reviews

Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera First Edition Julia Prest instant download after payment.

Publisher: Palgrave Macmillan
File Extension: PDF
File size: 1.48 MB
Pages: 208
Author: Julia Prest
ISBN: 9781403975188, 1403975183
Language: English
Year: 2006
Edition: First Edition

Product desciption

Theatre under Louis XIV: Cross-Casting and the Performance of Gender in Drama, Ballet and Opera First Edition Julia Prest by Julia Prest 9781403975188, 1403975183 instant download after payment.

This book explores the fascinating phenomenon of cross-casting and related gender issues in different theatrical genres and different performance contexts during the heyday of French theatre. Although professional acting troupes under Louis XIV were mixed, cross-casting remained an important feature of French court ballet (in which the King himself performed a number of women's roles) and an occasional feature of spoken comedy and tragic opera.  Cross-casting also persisted out of necessity in the school drama of the period. This book fills an important gap in the history of French theatre and provides new insight into wider theoretical questions of gender and theatricality. The inclusion of chapters on ballet and opera (as well as spoken drama) opens up the richness of French theatre under Louis XIV in a way that has not been achieved before.

Related Products