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56 reviewsThe editors & distinguished group of contributors, including Laura Mulvey, John Caughie, Geoffrey Nowell-Smith, Ashish Rajadhyaksha, & Paul Julian Smith, offer a range of approaches & case studies whose organizing principle is the developing idea of polycentrism as applied to cinema.
They refine & redefine key concepts in film studies, including identification, representation, & identity; narrative & realism; allegory & the national project; auteurism & the popular; art and genre. They re-evaluate how cinema shapes & responds to the philosophical, cultural, & political effects of transnationalism & cosmopolitanism in the age of the moving image, & explore the interconnectedness of films produced worldwide, as well as the links between cinema & other visual cultural forms.
