Time Frames Japanese Cinema And The Unfolding Of History 1st Edition Scott Nygren by Scott Nygren 9780816647071, 0816647070 instant download after payment.

        Until 1951, when Kurosawa’s Rashomon won the Golden Lion award for best film at the Venice Film Festival, Japanese cinema was isolated from world distribution & the international discourse on film. After this historic event, however, Japanese cinema could no longer be ignored. In Time Frames, Scott Nygren explores how Japanese film criticism & history has been written both within & beyond Japan, before and after Rashomon.  
        He takes up the central question of which, & whose, Japan do critics & historians mean when reviewing the country’s cinema—an issue complicated by assumptions about cultural purity, Japan’s appropriation of Western ideas & technologies, & the very existence of a West & an Orientalist non-West. Deftly moving backward & forward from the pivotal 1951 festival, Nygren traces the invention of Japanese film history as a disciplinary mode of knowledge. His analysis includes such topics as the reconfiguration of prewar films in light of postwar recognition, the application of psychoanalytic theory to Japanese art & culture, & the intersection of kanji & cinema.  
        He considers the historical inscription of 1950s Japan as “the golden age of the humanist film,” the identification of a Japanese New Wave & the implications of categorizing Japanese film through analogy to other national cinemas. Bringing the discussion to Japan’s reception of postmodernism, Nygren looks at the emergence of video art & anime & the end of Japanese film history as a meaningful concept in the rise of the Internet & globalization. Nygren highlights the creative exchange among North American, European, & Asian media, places Japanese film at the center of this discourse, &, ultimately, reveals its global role as a cultural medium, capable of transforming theory.