logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Towards A Political Aesthetics Of Cinema The Outside Of Film Sulgi Lie

  • SKU: BELL-33355620
Towards A Political Aesthetics Of Cinema The Outside Of Film Sulgi Lie
$ 31.00 $ 45.00 (-31%)

0.0

0 reviews

Towards A Political Aesthetics Of Cinema The Outside Of Film Sulgi Lie instant download after payment.

Publisher: Amsterdam University Press
File Extension: PDF
File size: 3.4 MB
Pages: 332
Author: Sulgi Lie
ISBN: 9789462983632, 9462983631
Language: English
Year: 2020

Product desciption

Towards A Political Aesthetics Of Cinema The Outside Of Film Sulgi Lie by Sulgi Lie 9789462983632, 9462983631 instant download after payment.

Towards a Political Aesthetics of Cinema: The Outside of Film is a contribution to an aesthetics of cinema rooted in Marxist theory. Rather than focusing on the role that certain films, or the cinema as an institution, might play in political consciousness, the book asks a different question: how can the subject of politics in film be thought? This problem is presented in a systematic-theoretical rather than historical manner. The main aim of this book is a retrospective rehabilitation of the psychoanalytical concept of "suture," whose political core is progressively revealed. In a second step, this rereading of "suture"-theory is mediated with the Marxist aesthetics of Fredric Jameson. From the perspective of this reconfigured aesthetics of negativity, films by Hitchcock, Antonioni, Haneke and Kubrick are analyzed as articulations of a political unconscious.

Related Products