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0 reviewsValerie Forman contends that three seemingly unrelated domains—new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre—were together crucial to the formulation of a new and paradoxical way of thinking about loss and profit in relationship to one another.
Valerie Forman contends that three seemingly unrelated domains—new economic theories and practices; the discourses of Christian redemption; and the rise of tragicomedy as the stage's most popular genre—were together crucial to the formulation of a new and paradoxical way of thinking about loss and profit in relationship to one another.
