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Transnational Cinematography Studies Lindsay Coleman Julie Turnock Daisuke Miyao Roberto Schaefer Ceri Higgins Patrick Keating Evan Lieberman Jakob Isak Nielsen Peter H Rist Carlos Rojas

  • SKU: BELL-51598304
Transnational Cinematography Studies Lindsay Coleman Julie Turnock Daisuke Miyao Roberto Schaefer Ceri Higgins Patrick Keating Evan Lieberman Jakob Isak Nielsen Peter H Rist Carlos Rojas
$ 31.00 $ 45.00 (-31%)

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Transnational Cinematography Studies Lindsay Coleman Julie Turnock Daisuke Miyao Roberto Schaefer Ceri Higgins Patrick Keating Evan Lieberman Jakob Isak Nielsen Peter H Rist Carlos Rojas instant download after payment.

Publisher: Lexington Books/Fortress Academic
File Extension: EPUB
File size: 2.04 MB
Pages: 235
Author: Lindsay Coleman; Julie Turnock; Daisuke Miyao; Roberto Schaefer; Ceri Higgins; Patrick Keating; Evan Lieberman; Jakob Isak Nielsen; Peter H. Rist; Carlos Rojas
ISBN: 9781498524285, 1498524281
Language: English
Year: 2016

Product desciption

Transnational Cinematography Studies Lindsay Coleman Julie Turnock Daisuke Miyao Roberto Schaefer Ceri Higgins Patrick Keating Evan Lieberman Jakob Isak Nielsen Peter H Rist Carlos Rojas by Lindsay Coleman; Julie Turnock; Daisuke Miyao; Roberto Schaefer; Ceri Higgins; Patrick Keating; Evan Lieberman; Jakob Isak Nielsen; Peter H. Rist; Carlos Rojas 9781498524285, 1498524281 instant download after payment.

Transnational Cinematography Studies introduces new perspectives to the discipline of film and media studies. First, this volume focuses on a crucial yet largely unexplored area in film and media studies: the substantial communication between critical studies of cinema and film production practices. This book integrates theories and practices of cinematographic technology. Secondly, Transnational Cinematography Studies expands the scope of film and media studies into the arena of transnationalism. Cinema is now discussed in terms of globalization of audio-visual cultures, with regard to such issues as Hollywood film studios' so-called "runaway productions" and multi-national co-productions; Hollywood remakes of Asian horror films or Hong-Kong martial arts films; and the growing significance of international film festivals. However, this volume proposes that globalization is not in itself new in the history of cinema, and that cinema has always been at the forefront of transnational culture from the beginning of its history.

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