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0 reviewsFilmic narratives of crime open a porous space of public discourse in which filmmakers and audiences project and reimagine relations of power. This collection studies the production and reception of films from Europe, Africa, East and South Asia and South America, presenting crime as a discursive site where the terms of the nation and cinema gain new definition.
Considered transnationally, crime cinema is a self-reflexive modality through which cinema reflects upon cinema’s own discursivity while audiences negotiate ideologies and imaginaries of nation against disruptive transnational economic and political pressures.
