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Travels In Manchuria And Mongolia A Feminist Poet From Japan Encounters Prewar China Akiko Yosano Joshua Fogel

  • SKU: BELL-51906288
Travels In Manchuria And Mongolia A Feminist Poet From Japan Encounters Prewar China Akiko Yosano Joshua Fogel
$ 31.00 $ 45.00 (-31%)

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Travels In Manchuria And Mongolia A Feminist Poet From Japan Encounters Prewar China Akiko Yosano Joshua Fogel instant download after payment.

Publisher: Columbia University Press
File Extension: PDF
File size: 1.13 MB
Pages: 128
Author: Akiko Yosano; Joshua Fogel
ISBN: 9780231506663, 023150666X
Language: English
Year: 2001

Product desciption

Travels In Manchuria And Mongolia A Feminist Poet From Japan Encounters Prewar China Akiko Yosano Joshua Fogel by Akiko Yosano; Joshua Fogel 9780231506663, 023150666X instant download after payment.

A valuable document for the study of the modern Japanese construction of "China" and "the Chinese," this important travelogue by Yosana Akiko—one of Japan's greatest poets and a prominent spokeswoman during the early years of Japanese feminism—charts her travels in Japanese-controlled Manchuria and Mongolia in 1928. Written during a tense period in Sino-Japanese relations, Yosana's travelogue clearly reveals the limits of her stated progressive leanings in the face of the imperialist project of which she could not help but be a part.


Yosano Akiko (1878-1942) was one of Japan's greatest poets and translators from classical Japanese. Her output was extraordinary, including twenty volumes of poetry and the most popular translation of the ancient classic The Tale of Genji into modern Japanese. The mother of eleven children, she was a prominent feminist and frequent contributor to Japan's first feminist journal of creative writing, Seito (Blue stocking).
In 1928 at a highpoint of Sino-Japanese tensions, Yosano was invited by the South Manchurian Railway Company to travel around areas with a prominent Japanese presence in China's northeast. This volume, translated for the first time into English, is her account of that journey. Though a portrait of China and the Chinese, the chronicle is most revealing as a portrait of modern Japanese representations of China—and as a study of Yosano herself.

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