Vernacular Verse Histories In Early Medieval England And Francia Taranu by Taranu, Catalin; instant download after payment.

In a provocative take on Germanic heroic poetry, Taranu reads texts like Beowulf, Maldon, and the Waltharius as participating in alternative modes of history-writing that functioned in a larger ecology of narrative forms, including Latinate Christian history and the biblical epic. These modes employed the conceit of their participating in a tradition of oral verse for a variety of purposes: from political propaganda to constructing origin myths for early medieval nationhood or heroic masculinity and sometimes for challenging these paradigms. The more complex of these historical visions actively meditated on their own relationship to truthfulness and fictionality while also performing sophisticated (and often subversive) cultural and socio-emotional work for its audiences. By rethinking canonical categories of historiographical discourse from within medieval textual productions, The Bard and the Rag-Picker aims to recover a part of the wide array of narrative poetic forms through which medieval communities made sense of their past and structured their socio-emotional experience.
Catalin Taranu
is a literary-historical scholar working on the vernacular poems and cultures of early medieval England and Francia. He has taught medieval literature and Old English and has shared his research on Beowulf, medieval rhizomes of narratives, and vernacular theories of truth and history in talks and publications. Catalin is currently a postdoctoral researcher at New Europe College, Bucharest, where he studies the socio-emotional economy of shame and honour in medieval heroic poetry. An essay collection titled Vera Lex Historiae?: Constructions of Truth in Medieval Historical Narrative (co-edited with Michael Kelly and forthcoming from Punctum’s Gracchi Books) explores strategies of constructing, authorizing, and assessing truth in medieval historical narrative.