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ISBN 10: 0230234976
ISBN 13: 9780230234970
Author: E Clements
The multidisciplinary aesthetics of Walter Pater, the nineteenth century's most provocative critic, are explored by an international team of scholars. 'True aesthetic criticism' takes place working across the arts, Pater insists: acknowledging the differences between media, but seeking possibilities of interconnection.
Part I: Pater and Contemporary Visualities
1 Art and the Museum
2 Pater and Contemporary Visual Art
3 The ‘Necessity’ of Corot and Whistler in Pater’s ‘Network’ of Painters
4 Critical Connections and Quotational Strategies: Allegory and Aestheticism in Pater and Simeon Sol
Part II: Pater and the Dynamic Arts
5 Pater’s Auxerre Tapestry
6 Sculpture, Style and Pater’s Imaginative Sense of Touch
7 The Painting as Physical Object in a Verbal Portrait: Pater’s ‘A Prince of Court Painters’ a
8 Walter Pater, Film Theorist
9 Pater’s Musical Imagination: The Aural Architecture of ‘The School of Giorgione’ and Marius
10 Haunted Stages: Walter Pater and the ‘Theatrical Mode of Life’
Part III: Pater and the Practice of Writing
11 Literary Communism: Pater and the Politics of Community
12 The Limitations of Schilleresque Self-Culture in Pater’s Individualist Aesthetics
13 The Art of the Novel: Pater and Fiction
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Tags: E Clements, Conditions, Aesthetic
