logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Visualities Perspectives On Contemporary American Indian Film And Art Denise K Cummings

  • SKU: BELL-5516336
Visualities Perspectives On Contemporary American Indian Film And Art Denise K Cummings
$ 31.00 $ 45.00 (-31%)

5.0

78 reviews

Visualities Perspectives On Contemporary American Indian Film And Art Denise K Cummings instant download after payment.

Publisher: Michigan State University Press
File Extension: PDF
File size: 3.71 MB
Pages: 340
Author: Denise K. Cummings
ISBN: 9780870139994, 0870139991
Language: English
Year: 2011

Product desciption

Visualities Perspectives On Contemporary American Indian Film And Art Denise K Cummings by Denise K. Cummings 9780870139994, 0870139991 instant download after payment.

In recent years, works by American Indian artists and filmmakers such as Jaune Quick-To-See Smith, Edgar Heap of Birds, Sherman Alexie, Shelley Niro, and Chris Eyre have illustrated the importance of visual culture as a means to mediate identity in contemporary Native America. This insightful collection of essays explores how identity is created and communicated through Native film-, video-, and art-making; what role these practices play in contemporary cultural revitalization; and how indigenous creators revisit media pasts and resignify dominant discourses through their work. Taking an interdisciplinary approach, Visualities: Perspectives on Contemporary American Indian Film and Art draws on American Indian Studies, American Studies, Film Studies, Cultural Studies, Women’s Studies, and Postcolonial Studies. Among the artists examined are Hulleah J. Tsinhnahjinnie, Eric Gansworth, Melanie Printup Hope, Jolene Rickard, and George Longfish. Films analyzed include Imprint, It Starts with a Whisper, Mohawk Girls, Skins, The Business of Fancydancing, and a selection of Native Latin films.

Related Products