Whats The Use Of Art Asian Visual And Material Culture In Context Jan Mrazek by Jan Mrazek, Morgan Pitelka 9780824830632, 0824830636 instant download after payment.

Post-Enlightenment notions of culture, which have been naturalized in the West for centuries, require that art be autonomously beautiful, universal, and devoid of any practical purpose. The authors of this multidisciplinary volume seek to complicate this understanding of art by examining art objects from across Asia with attention to their functional, ritual, and everyday contexts. From tea bowls used in the Japanese tea ceremony to television broadcasts of Javanese puppet theater; from Indian wedding chamber paintings to art looted by the British army from the Chinese emperor's palace; from the adventures of a Balinese magical dagger to the political functions of classical Khmer images-the authors challenge prevailing notions of artistic value by introducing new ways of thinking about culture.The chapters consider art objects as they are involved in the world: how they operate and are experienced in specific sites, collections, rituals, performances, political and religious events and imagination, and individual peoples' lives; how they move from one context to another and change meaning and value in the process (for example, when they are collected, traded, and looted, or when their images appear in art history textbooks); how their memories and pasts are or are not part of their meaning and experience. Rather than lead to a single universalizing definition of art, the essays offer multiple, divergent, and case-specific answers to the question What is the use of art? and argue for the need to study art as it is used and experienced. This series of case studies from Asia helps broaden and decolonize our understanding of what art is and assert the need to go beyond established ways of thinking about art in English-language scholarship.An engaging and wide-ranging collection, What's the Use of Art will appeal not only to Asia art historians, historians, and anthropologists, but also to collectors and readers with an interest in museum studies and material culture studies.