logo

EbookBell.com

Most ebook files are in PDF format, so you can easily read them using various software such as Foxit Reader or directly on the Google Chrome browser.
Some ebook files are released by publishers in other formats such as .awz, .mobi, .epub, .fb2, etc. You may need to install specific software to read these formats on mobile/PC, such as Calibre.

Please read the tutorial at this link:  https://ebookbell.com/faq 


We offer FREE conversion to the popular formats you request; however, this may take some time. Therefore, right after payment, please email us, and we will try to provide the service as quickly as possible.


For some exceptional file formats or broken links (if any), please refrain from opening any disputes. Instead, email us first, and we will try to assist within a maximum of 6 hours.

EbookBell Team

Why Art Cannot Be Taught A Handbook For Art Students 1st James Elkins

  • SKU: BELL-11842526
Why Art Cannot Be Taught A Handbook For Art Students 1st James Elkins
$ 31.00 $ 45.00 (-31%)

4.3

68 reviews

Why Art Cannot Be Taught A Handbook For Art Students 1st James Elkins instant download after payment.

Publisher: University of Illinois Press
File Extension: PDF
File size: 6.59 MB
Pages: 213
Author: James Elkins
ISBN: 9780252026386, 9780252069505, 9780252098765, 0252026381, 0252069501, 0252098765
Language: English
Year: 2001
Edition: 1st

Product desciption

Why Art Cannot Be Taught A Handbook For Art Students 1st James Elkins by James Elkins 9780252026386, 9780252069505, 9780252098765, 0252026381, 0252069501, 0252098765 instant download after payment.

He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins's no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art--including art that takes time to complete and art that isn't serious--that cannot be learned in studio art classes.

Related Products