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Women And New Hollywood Gender Creative Labor And 1970s American Cinema 1st Edition Aaron Hunter

  • SKU: BELL-50620946
Women And New Hollywood Gender Creative Labor And 1970s American Cinema 1st Edition Aaron Hunter
$ 31.00 $ 45.00 (-31%)

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Women And New Hollywood Gender Creative Labor And 1970s American Cinema 1st Edition Aaron Hunter instant download after payment.

Publisher: Rutgers University Press
File Extension: PDF
File size: 4.57 MB
Pages: 251
Author: Aaron Hunter, Martha Shearer
ISBN: 9781978821798, 9781978821804, 9781978821811, 1978821794, 1978821808, 1978821816, 2022036897
Language: English
Year: 2023
Edition: 1

Product desciption

Women And New Hollywood Gender Creative Labor And 1970s American Cinema 1st Edition Aaron Hunter by Aaron Hunter, Martha Shearer 9781978821798, 9781978821804, 9781978821811, 1978821794, 1978821808, 1978821816, 2022036897 instant download after payment.

The 1970s has often been hailed as a great moment for American film, as a generation of “New Hollywood” directors like Scorsese, Coppola, and Altman offered idiosyncratic visions of what movies could be. Yet the auteurist discourse hailing these directors as the sole authors of their films has obscured the important creative roles women played in the 1970s American film industry.

Women and New Hollywood revises our understanding of this important era in American film by examining the contributions that women made not only as directors, but also as screenwriters, editors, actors, producers, and critics. Including essays on film history, film texts, and the decade’s film theory and criticism, this collection showcases the rich and varied cinematic products of women’s creative labor, as well as the considerable barriers they faced. It considers both women working within and beyond the Hollywood film industry, reconceptualizing New Hollywood by bringing it into dialogue with other American cinemas of the 1970s. By valuing the many forms of creative labor involved in film production, this collection offers exciting alternatives to the auteurist model and new ways of appreciating the themes and aesthetics of 1970s American film.

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