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4.1
20 reviewsDrawing on fresh work in the social sciences, Rachel Koopmans offers a new model for understanding how medieval miracle stories were generated, circulated, and replicated within an oral environment. She argues that the miracle collection became a defining genre of the high medieval period.
Drawing on fresh work in the social sciences, Rachel Koopmans offers a new model for understanding how medieval miracle stories were generated, circulated, and replicated within an oral environment. She argues that the miracle collection became a defining genre of the high medieval period.
