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Writing And Unwriting Media Art History 1st Edition Joasia Krysa

  • SKU: BELL-56401164
Writing And Unwriting Media Art History 1st Edition Joasia Krysa
$ 31.00 $ 45.00 (-31%)

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Writing And Unwriting Media Art History 1st Edition Joasia Krysa instant download after payment.

Publisher: MIT Press
File Extension: PDF
File size: 4.92 MB
Pages: 369
Author: Joasia Krysa, Jussi Parikka; foreword by Erkki Huhtamo
ISBN: 9780262029582, 0262029588
Language: English
Year: 2015
Edition: 1
Volume: 1

Product desciption

Writing And Unwriting Media Art History 1st Edition Joasia Krysa by Joasia Krysa, Jussi Parikka; Foreword By Erkki Huhtamo 9780262029582, 0262029588 instant download after payment.

A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi—composer of electronic music, experimental filmmaker, inventor, collector, futurologist. Over the past forty years, Finnish artist and technology pioneer Erkki Kurenniemi (b. 1941) has been a composer of electronic music, experimental filmmaker, computer animator, roboticist, inventor, and futurologist. Kurenniemi is a hybrid—a scientist-humanist-artist. Relatively unknown outside Nordic countries until his 2012 Documenta 13 exhibition, ”In 2048,” Kurenniemi may at last be achieving international recognition. This book offers an excavation, a critical mapping, and an elaboration of Kurenniemi's multiplicities. The contributors describe Kurenniemi's enthusiastic, and rather obsessive, recording of everyday life and how this archiving was part of his process; his exploratory artistic practice, with productive failure an inherent part of his method; his relationship to scientific and technological developments in media culture; and his work in electronic and digital music, including his development of automated composition systems and his “video-organ,” DIMI-O. A “Visual Archive,” a section of interviews with the artist, and a selection of his original writings (translated and published for the first time) further document Kurenniemi's achievements. But the book is not just about one artist in his time; it is about emerging media arts, interfaces, and archival fever in creative practices, read through the lens of Kurenniemi.

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