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Crosslanguage Relations In Composition Bruce Horner Minzhan Lu

  • SKU: BELL-35163194
Crosslanguage Relations In Composition Bruce Horner Minzhan Lu
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Crosslanguage Relations In Composition Bruce Horner Minzhan Lu instant download after payment.

Publisher: Southern Illinois University Press
File Extension: PDF
File size: 2.28 MB
Pages: 272
Author: Bruce Horner, Min-Zhan Lu, Paul Kei Matsuda
ISBN: 9780809329823, 0809329824
Language: English
Year: 2010

Product desciption

Crosslanguage Relations In Composition Bruce Horner Minzhan Lu by Bruce Horner, Min-zhan Lu, Paul Kei Matsuda 9780809329823, 0809329824 instant download after payment.

Cross-Language Relations in Composition brings together the foremost scholars in the fields of composition, second language writing, education, and literacy studies to address the limitations of the tacit English-only policy prevalent in composition pedagogy and research and to suggest changes for the benefit of writing students and instructors throughout the United States. Recognizing the growing linguistic diversity of students and faculty, the ongoing changes in the English language as a result of globalization, and the increasingly blurred categories of native, foreign, and second language English speakers, editors Bruce Horner, Min-Zhan Lu, and Paul Kei Matsuda have compiled a groundbreaking anthology of essays that contest the dominance of English monolingualism in the study and teaching of composition and encourage the pursuit of approaches that embrace multilingualism and cross-language writing as the norm for teaching and research.
The nine chapters comprising part 1 of the collection focus on the origins of the “English only” bias dominating U.S. composition classes and present alternative methods of teaching and research that challenge this monolingualism. In part 2, nine composition teachers and scholars representing a variety of theoretical, institutional, and professional perspectives propose new, compelling, and concrete ways to understand and teach composition to students of a “global,” plural English, a language evolving in a multilingual world.           
Drawing on recent theoretical work on genre, complexity, performance and identity, as well as postcolonialism, Cross-Language Relations in Composition offers a radically new approach to composition teaching and research, one that will prove invaluable to all who teach writing in today’s multilingual college classroom.
 

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