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Crossroads Performance Studies and Irish Culture 1st Edition by Sara Brady, Fintan Walsh ISBN 0230219985 9780230219984

  • SKU: BELL-2087402
Crossroads Performance Studies and Irish Culture 1st Edition by Sara Brady, Fintan Walsh ISBN 0230219985 9780230219984
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Crossroads Performance Studies and Irish Culture 1st Edition by Sara Brady, Fintan Walsh ISBN 0230219985 9780230219984 instant download after payment.

Publisher: Palgrave Macmillan
File Extension: PDF
File size: 1.46 MB
Pages: 255
Author: Sara Brady, Fintan Walsh
ISBN: 0230219985
Language: English
Year: 2009

Product desciption

Crossroads Performance Studies and Irish Culture 1st Edition by Sara Brady, Fintan Walsh ISBN 0230219985 9780230219984 by Sara Brady, Fintan Walsh 0230219985 instant download after payment.

Crossroads Performance Studies and Irish Culture 1st Edition by Sara Brady, Fintan Walsh  - Ebook PDF Instant Download/Delivery: 0230219985, 9780230219984
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Product details:

ISBN 10: 0230219985 
ISBN 13: 9780230219984
Author: Sara Brady, Fintan Walsh 

The highly performative categories of 'Irish culture' and 'Irishness' are in need of critical address, prompted by recent changes in Irish society, the arts industry and modes of critical inquiry. This book broaches this task by considering Irish expressive culture through some of the paradigms and vocabularies offered by performance studies.

Crossroads Performance Studies and Irish Culture 1st Table of contents:

Part I: The Body and the Stage

Chapter 1: Performing the National Body

  • The intersection of physicality and national identity in Irish performance.
  • Examining representations of the body in Irish theatre and dance.

Chapter 2: 'Queering' the Irish Stage: Pageantry and Performance

  • An analysis of events like Alternative Miss Ireland and Mr Gay Ireland.
  • How these performances deconstruct traditional notions of gender, sexuality, and national identity.

Chapter 3: The Female Body in Endurance Art: The Work of Amanda Coogan

  • A feminist critique of traditional gender roles through the lens of performance art.
  • How Coogan's work challenges the audience's voyeuristic gaze.

Part II: Festivals, Rituals, and Public Performance

Chapter 4: The Performance of Tradition: St. Patrick's Day Parades

  • Examining the parade as a cultural performance.
  • The evolution of the parade from a religious procession to a global spectacle.
  • Debates on authenticity and commodification.

Chapter 5: Storytelling as a Subversive Performance

  • Drawing on Walter Benjamin's 'storyteller' to analyze oral traditions in a contemporary context.
  • The role of storytelling in community-building and social commentary.

Chapter 6: Irish wakes and Funerary Rituals as Public Performances

  • The performative elements of mourning and remembrance.
  • How death rituals reflect social values and community bonds.

Part III: Politics, Memory, and History

Chapter 7: Performing History: The Commemoration of the 1916 Easter Rising

  • How historical events are re-enacted and remembered through public performance.
  • The role of parades, pageants, and reenactments in shaping collective memory.

Chapter 8: The Theatre of Testimony: Trauma and Performance in Post-Conflict Ireland

  • Exploring plays and performances that deal with the legacies of the Troubles.
  • The ethics of representing trauma on stage.

Chapter 9: The Performance of Citizenship in a Multicultural Ireland

  • The emergence of migrant theatre companies, such as Arambe Theatre Company.
  • How performance is used to negotiate new identities and build community in a changing society.

Chapter 10: Retelling the Story of Bridget Cleary: Performance and Historical Revision

  • An in-depth case study of how the story of Bridget Cleary has been performed and reinterpreted in theatre, documentaries, and historical studies.
  • How these retellings perform and revise versions of Ireland's own history.

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Tags: Sara Brady, Fintan Walsh, Crossroads, Performance

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