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Decentering Musical Modernity Perspectives On East Asian And European Music History Tobias Janz Editor Chienchang Yang Editor Deutsche Forschungsgemeinschaft Dfg Editor Ministry Of Science And Technology Most Editor

Name: Decentering Musical Modernity Perspectives On East Asian And European Music History Tobias Janz Editor Chienchang Yang Editor Deutsche Forschungsgemeinschaft Dfg Editor Ministry Of Science And Technology Most Editor
SKU: BELL-51804378
Price: 31.00 USD
Availability: InStock
Rating: 5 (100 reviews)

SKU: BELL-51804378

Decentering Musical Modernity Perspectives On East Asian And European Music History Tobias Janz Editor Chienchang Yang Editor Deutsche Forschungsgemeinschaft Dfg Editor Ministry Of Science And Technology Most Editor

$ 31.00 ~~$ 45.00~~ (-31%)

5.0

100 reviews

Decentering Musical Modernity Perspectives On East Asian And European Music History Tobias Janz Editor Chienchang Yang Editor Deutsche Forschungsgemeinschaft Dfg Editor Ministry Of Science And Technology Most Editor instant download after payment.

Publisher: transcript Verlag

File Extension: PDF

File size: 7.87 MB

Pages: 374

Author: Tobias Janz (editor); Chien-Chang Yang (editor); Deutsche Forschungsgemeinschaft (DFG) (editor); Ministry of Science and Technology (MOST) (editor)

ISBN: 9783839446492, 383944649X

Language: English

Year: 2019

Product desciption

Decentering Musical Modernity Perspectives On East Asian And European Music History Tobias Janz Editor Chienchang Yang Editor Deutsche Forschungsgemeinschaft Dfg Editor Ministry Of Science And Technology Most Editor by Tobias Janz (editor); Chien-chang Yang (editor); Deutsche Forschungsgemeinschaft (dfg) (editor); Ministry Of Science And Technology (most) (editor) 9783839446492, 383944649X instant download after payment.

This collection investigates the concept of modernity in music and its multiple interpretations in Europe and Asia. Through contributions by both European and Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while attentive to the specificities of local music and their narratives in Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.