French Romance And English Piety Genre And Codex In Insular Romance Elizabeth Jane Watkins by Elizabeth Jane Watkins instant download after payment.

This dissertation explores what the interplay of romance and religious literature in England from the twelfth through fifteenth centuries can reveal about the origins and development of medieval romance. Drawing upon codicological evidence, it favors a more fluid definition of romance that recognizes it as both a category of generic difference distinct from but also linked to the saint’s life, chronicle, or chanson de geste, and as a mode of translation that has its roots in the origins of the term romanz as a marker of linguistic difference used to distinguish French from Latin. It argues that the interconnections of romance and religious literature should be viewed as part of the process of translating or adapting a text, whether into a new language or for a new audience.
The first section examines how French hagiographical works adopt motifs and themes associated with romance in the translation of their Latin sources. Chapter 1 focuses on Wace’s use of courtly imagery, expanded descriptions, and doubling in the Vie de Sainte Marguerite, Conception Nostre Dame , and Vie de Saint Nicolas and how these alterations to his source material anticipate qualities that would become features of the romance genre. The second chapter discusses the generic hybridity in Marie de France’s Vie Seinte Audree, in which allusions to the lais cast Saint Audrey as a mal mariée, and the Espurgatoire Seint Patriz, in which the emphasis on Owein’s status as a knight offers a suitable alternative to the religious life.
The second section assesses the use of hagiographic and religious elements in romances. The third chapter traces the use of hagiography in three Anglo-Norman romances – the Roman de Horn, Roman de Waldef, and Gui de Warewic – to contextualize the significant generic shift that occurs in the attribution of saintly qualities to the hero Guy of Warwick in the latest of the three texts. Concentrating on the role of the relics, the final chapter looks at how the Middle English adaptations of the chanson de geste Fierabras reflect developments in devotional culture, England’s involvement in the Hundred Years War, and the rise of English as a literary language. The combination of codicological and literary approaches in this study foregrounds the processes of translation, adaptation, and transmission that operated in the literary networks of medieval England to broaden our understanding of medieval genres, as well as the place of French language, literature, and culture.