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Intercultural Screen Adaptation British And Global Case Studies Michael Stewart Robert Munro

  • SKU: BELL-51970726
Intercultural Screen Adaptation British And Global Case Studies Michael Stewart Robert Munro
$ 31.00 $ 45.00 (-31%)

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Intercultural Screen Adaptation British And Global Case Studies Michael Stewart Robert Munro instant download after payment.

Publisher: Edinburgh University Press
File Extension: PDF
File size: 2.89 MB
Pages: 264
Author: Michael Stewart; Robert Munro
ISBN: 9781474452052, 1474452051
Language: English
Year: 2022

Product desciption

Intercultural Screen Adaptation British And Global Case Studies Michael Stewart Robert Munro by Michael Stewart; Robert Munro 9781474452052, 1474452051 instant download after payment.

Examines the national, transnational and post-national contexts of screen adaptations
  • Studies a diverse range of contemporary and historical screen adaptations
  • Examines films and television programmes using various linked adaptation studies methods, including genre, star, auteur, heritage, tourism, performance, trauma, historical revisioning, interculturalism, translation, nostalgia, memory and spectacle
  • Brings together scholars of film adaptation from twelve universities and five countries

Intercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, this book tests how examining the processes of adaptation across and within national frameworks challenges traditional debates around the concept of nation in film, media and cultural studies. With case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015 – 2017), Intercultural Screen Adaptation offers readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation.


Contributors
  • Sarah Artt, Edinburgh Napier University
  • Eduard Cuelenaere, Ghent University and University of Antwerp
  • Jonathan Evans, University of Portsmouth
  • Shelley Galpin, University of York
  • Yvonne Griggs, University of New England
  • Victoria Lowe, University of Manchester
  • Douglas McNaughton, University of Brighton
  • Robert Munro, Queen Margaret University
  • Ernesto Pérez Morán, Complutense University
  • Carol Poole, Ambassador to MediaCityUK
  • Chi-Yun Shin, Sheffield Hallam University
  • Michael Stewart, Queen Margaret University
  • Jeremy Strong, University of West London
  • Ruxandra Trandafoiu, Edge Hill University

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