La Tipografia Araba Nella Sua Resa Digitale Arabic Typography In Its Digital Rendering Iten Abstract Ariten Paolo Daniele Corda by Paolo Daniele Corda 9788831357142, 883135714X instant download after payment.

While Arabic writing, in the everyday experience of its users (not limited to Arabic speakers), still adheres to precise graphic rules that facilitate reading, these rules are scarcely found within mass media. Inevitably, this implies a cultural impoverishment on the horizon, at the risk of relegation to easily identifiable conservative, if not extremist, domains, providing them with cultural and symbolic power in a distorted representation of the world.

This technological gap in an era aiming for space, although anachronistic and sometimes detrimental economically, has spurred a research movement for the creation of new technologies. Today, after decades of study and programming, these technologies could potentially change the conception of some global communication processes by integrating rules different from those easily traceable to the Latin typography used until now.

This technological approach has gained momentum in recent years in the publishing sector, particularly in the new media (the public project Mushaf Muscat or Electronic Qurʾān produced in 2016 by the Sultanate of Oman and developed with European software and specialists is an impressive early example), and is drawing the attention of major institutions, companies, and international researchers within the fields of communication and design.

A recent conference held in Istanbul (ISType 2022 Arabic Typography) in November 2022, promoted by the prestigious Sabancı University and sponsored by Google, created a meeting opportunity for eminent calligraphers and specialized typographers who proposed research perspectives in an innovative and interdisciplinary [...]