Perspectives On Anton Bruckner 1st Edition Crawford Howie Paul Hawkshaw by Crawford Howie, Paul Hawkshaw, Timothy Jackson 9781138263345, 1138263346 instant download after payment.

Part One Theoretical Perspective and Compositional Practice - 1 A composer learns his craft: lessons in form and orchestration, 1861-3 - 2 Bruckner's Oktaven: the problem of consecutives, doubling, and orchestral voice-leading - Part Two Symphonist: Analytical Considerations - 3 The early version of the Second Symphony - 4 Master and disciple united: the 1889 Finale of the Third Symphony - 5 Continuity in the Fourth Symphony (first movement) - 6 The expressive role of disjunction: a semiotic approach to form and meaning in the Fourth and Fifth Symphonies - 7 'Harmonic daring' and symphonic design in the Sixth Symphony: an essay in historical musical analysis - 8 The Adagio of the Sixth Symphony and the anticipatory tonic recapitulation in Bruckner, Brahms and Dvořák - 9 Bruckner's free application of strict Sechterian theory with stimulation from Wagnerian sources: an assessment of the first movement of the Seventh Symphony - 10 Musical time in the Eighth Symphony - 11 The facts behind a 'legend': the Ninth Symphony and the Te Deum - Part Three Man, Musician and Reception - 12 On unity between Bruckner's personality and production - 13 Bruckner: the travelling virtuoso - 14 Students and friends as 'prophets' and 'promoters': the reception of Bruckner's works in the Wiener Akademische Wagner-Verein - 15 Anton Bruckner and 'German music': Josef Schalk and the establishment of Bruckner as a national composer - 16 Siegmund von Hausegger: a Bruckner authority from the 1930s - 17 Ludwig Wittgenstein's remarks on Bruckner - 18 Richard Wetz (1875-1935): a Brucknerian composer - Index