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0 reviews This dissertation examines the compositions of the American progressive metal band Dream Theater from a music-theoretical perspective. Specifically, this project identifies the primary stylistic elements the band employs in its compositions, focusing on the complex rhythmic and metrical patterns that characterize its music in particular and the subgenre of progressive metal in general. In doing so, it isolates the musical elements that have helped differentiate Dream Theater from other progressive rock and heavy metal bands, and have provided me with complex—and often surprising—experiences of temporality. Additionally, this dissertation analyzes the ways in which rhythmic and metrical phenomena contribute to formal delineation in the band’s music.
